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Daddy
Yankee
El
Cartel
The
Big
Boss
Daddy
Yankee
the
free
Daddy
the
free
to
3
1977
19770203
Juan
Puerto
Latin
Rap
Hip
—
Cartel
Raymond
Ayala
born
February
3
1977
known
as
Daddy
Yankee
is
a
Latin
Grammy
Puerto
Rican
artist
Ayala
was
born
in
RÃo
Piedras
the
largest
district
of
San
Juan
where
he
became
in
music
at
a
young
age
In
his
youth
he
was
in
baseball
and
aspired
to
become
a
Major
League
Baseball
player
He
was
unable
to
continue
this
sport
when
he
received
an
injury
to
one
of
his
legs
leaving
him
unable
to
walk
He
then
became
involved
in
the
rap
movement
that
was
in
its
early
stages
in
Puerto
Rico
later
to
be
called
After
lessons
from
several
artists
within
the
genre
he
an
career
first
in
a
titled
Playero
37
After
this
he
began
to
produce
albums
His
first
solo
album
was
No
Mercy
He
formed
a
duo
with
Nicky
Jam
and
then
his
solo
career
with
the
releases
of
El
Cartel
and
El
Cartel
II
This
led
him
be
one
of
many
pioneers
of
the
genre In
2002
El
became
Ayalas
first
album
with
success
coverage
in
the
markets
of
New
York
and
Miami
Barrio
Fino
was
released
in
2004
and
the
album
received
numerous
awards
a
Premio
Lo
Nuestro
and
a
Latin
as
well
as
for
the
Latin
Grammy
and
MTV
Video
Music
Awards
Barrio
Fino
well
in
the
sales
charts
of
the
United
States
Latin
America
Europe
and
Japan
On
June
5
2007
El
Cartel
Records
released
El
Cartel
The
Big
Boss
which
was
ranked
as
the
album
in
Latin
music
genres
in
2007
He
promoted
the
album
with
an
tour
which
began
in
the
United
States
and
through
Latin
America
breaking
records
in
Ecuador
and
Bolivia
His
have
appeared
on
more
than
70
albums
such
as
Mas
Flow
2
and
Blin
Blin
Vol
Musical
Early
Film
and
other
career
Personal
life 4
See
also 6
External
Musical
Early
was
born
in
San
Juan
Puerto
Rico
and
was
by
several
in
his
family
his
father
and
some
of
his
mothers
During
his
he
singing
and
focused
on
lyrical
Although
Ayala
first
aspired
to
join
the
ranks
of
Major
Leagues
he
this
goal
after
being
involved
in
an
age
he
was
caught
in
the
of
a
barrio
gun
battle
and
received
two
bullet
wounds
One
bullet
grazed
his
arm
and
the
other
from
an
AK47
hit
him
in
the
leg
and
left
him
with
a
limp2
this
incident
he
became
in
the
rap
movement
which
at
the
time
was
in
an
early
stage3
He
also
took
more
interest
in
the
events
that
took
place
in
the
in
which
he
was
raised
a
public
housing
project
named
Villa
Kennedy1
Early
in
his
career
he
to
imitate
the
style
of
Vico
C
He
went
on
to
emulate
other
artists
in
the
genre
DJ
Playero
DJ
Nelson
and
DJ
Goldy
taking
elements
from
their
styles
in
order
to
develop
an
original
style3
In
doing
so
he
the
model
of
rap
and
become
one
of
the
first
artists
to
perform
Ayala
first
recorded
with
DJ
Playero
as
a
featured
artist
in
a
titled
Playero
37
which
was
released
in
first
album
titled
No
Mercy
was
produced
in
1995
when
Ayala
was
eighteen
years
old1
The
did
not
sell
well
and
he
his
work
within
the
genre
for
the
rest
of
the
decade
forming
a
duo
with
Nicky
Jam
One
of
the
duos
songs
was
included
in
the
of
One
Tough
Cop
a
movie
directed
by
Bruno
Barreto
that
was
released
in
1998
in
2000
Ayala
began
more
on
his
solo
career
albums
produced
outside
studios
The
first
he
released
was
titled
El
Cartel
elements
of
the
mixtape
style1
In
2001
El
Cartel
II
was
released
a
direct
sequel
to
the
previous
and
by
similar
2002
El
was
released
and
became
the
first
album
in
Ayalas
career
to
sell
well
outside
Puerto
Rico
mostly
in
the
United
States1
The
album
was
produced
by
VI
Music
an
studio
in
Puerto
Rico
and
was
not
by
a
major
label1
The
most
single
from
the
album
was
Latigazo
which
received
play
on
radio
stations
in
New
York
and
Miami1
The
album
reached
the
43
on
Top
Latin
Albums
chart1
the
release
of
this
disc
Ayala
at
the
Roberto
Clemente
Coliseum
before
12000
fans4
The
year
VI
Music
produced
Los
The
album
became
the
leader
in
sales
in
Puerto
Rico
during
a
year
in
which
several
other
artists
released
Luny
Tunes
Mas
Flow
Don
Omars
The
Last
Don
and
Tego
El
The
albums
success
helped
Ayala
receive
the
required
for
a
to
the
United
States
market
and
marked
the
last
album
he
released
with
VI
music
before
signing
a
contract
with
next
album
Barrio
Fino
was
produced
by
Luny
Tunes
and
released
in
July
2004
by
El
Cartel
Records
and
VI
Music
It
was
the
most
highly
album
in
the
Ayala
had
enjoyed
salsa
music
since
he
was
young
and
this
led
him
to
include
music
of
genres
besides
in
the
album5
The
most
of
these
singles
was
Melao
in
which
he
with
Andy
The
album
was
as
his
most
complete
and
with
it
he
intended
to
of
and
other
genres
to
the
market5
Barrio
Fino
was
followed
up
by
an
tour
with
in
numerous
the
Republic
Ecuador
Mexico
Panama
Honduras
Spain
Colombia
and
the
United
States5
The
album
has
sold
over
500000
copies
in
the
United
States
alone
and
has
sold
well
Latin
America
and
2005
Ayala
was
one
of
the
most
artists
within
the
music
industry
a
year
where
he
won
several
awards7
The
first
award
of
the
year
was
a
Premio
Lo
Nuestro
within
the
Latin
music
category
which
he
received
for
Barrio
Fino7
In
this
event
he
Gasolina
in
a
that
was
as
Barrio
Fino
also
won
the
Album
of
the
Year
award
in
the
Latin
that
took
place
on
April
28
20057
where
he
a
mix
of
three
of
his
songs
in
a
duo
with
P
Diddy
The
album
was
promoted
Latin
America
the
United
States
and
Europe
reaching
gold
in
Japan
Due
to
the
albums
success
Ayala
received
with
radio
stations
and
soda
Pepsi8
His
single
Gasolina
received
the
majority
of
votes
cast
for
the
second
edition
of
Premios
Juventud
in
which
it
received
eight
and
won
seven
awards7
Ayala
also
made
a
live
during
the
award
ceremony
Gasolina
received
in
the
Latin
Grammy
and
MTV
Video
Music
single
Gasolina
was
covered
by
artists
from
music
genres
This
led
to
a
when
Los
Lagos
a
Mexican
banda
group
did
a
cover
with
the
original
beat
but
changed
the
songs
lyrics9
Ayalas
lawyer
Edwin
Prado
said
that
the
artist
feels
that
to
have
his
songs
covered
is
an
honor
but
it
must
be
done
the
right
way9
Prior
to
the
banda
version
of
the
song
the
groups
label
the
to
perform
the
single
and
it
to
a
music
style
but
did
not
receive
the
to
change
the
lyrics
and
legal
actions
April
30
2006
Ayala
was
named
one
of
the
100
most
people
by
Time
The
cited
Ayalas
economic
success
and
ability
to
his
product
as
reasons
for
his
in
the
music
During
this
period
Ayala
and
William
Omar
Landrón
more
commonly
known
by
his
artistic
name
Don
Omar
were
involved
in
a
rivalry
within
the
genre
dubbed
tiraera
The
rivalry
received
press
coverage
despite
being
denied
early
on
by
both
artists
It
with
a
lyrical
conflict
between
the
artists
begun
by
Ayalas
comments
in